In George, the letter B has been rotated, stacked, and layered into a compressed vertical field where the internal voids of the original character remain visible at the center. The composition draws strength from its color palette—contrasting earthy tones of black, brown, and red, with a suggestion of purple above—that evoke a deeply abstracted landscape: perhaps ground against wheat field and sky. There is a rough, almost tactile quality to the surface, enhanced by soft blur and tonal blending that resist hard edges. The image holds a non-symmetrical balance, stabilized by visual weight rather than mirrored form. As with others in this series, the original typographic identity is present but subordinated, allowing shape, space, and color to assert themselves on their own terms.