At the center of this image is a looping, donut-like form—an abstracted trace of the letter B that anchors the composition. A structural counterpoint emerges through two intersecting lines, one vertical and one horizontal, which divide the frame into loose quadrants. The color palette is soft and sun-faded, with pinks, greens, and ochres reminiscent of painted walls in the south of France. Though photographic in origin, the surface suggests soft pigments and echoes the lyrical geometry of early Orphism.